The Foreclosure of Possibility: The Tawa’if and the Terms of Nationalist Inclusion, 1899 - 1932
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Keywords

Tawa’if
Nationalism
Gender
Colonial Modernity
Urdu Literature
Reform
Social Reform
Literary Representation

How to Cite

The Foreclosure of Possibility: The Tawa’if and the Terms of Nationalist Inclusion, 1899 - 1932. (2026). Journal of Asiatic Society for Social Science Research, 8(1), 558-566. https://www.asssr.in/index.php/jasssr/article/view/264

Abstract

This paper examines the changing representation of the tawa’if in late nineteenth and early twentieth-century Urdu literature to trace the narrowing terms of her social and political intelligibility within colonial modernity. Focusing on Umrao Jan Ada (1899), Bazaar-e-Husn (1916–17; Hindi 1919, Urdu 1924), and Laila Ke Khutut (1932), it argues that these texts do not simply represent the tawa’if differently across time, but collectively reveal a progressive narrowing of the conditions under which she could be accommodated within emergent nationalist discourse. Rather than treating the tawa’if as a marginal or residual figure, the paper positions her as central to understanding the gendered foundations of nationalist thought. Drawing on historiography on the “woman question” and the inner–outer domain distinction, it shows how the consolidation of the chaste, domesticated “Indian woman” depended on the exclusion of forms of female public presence, economic autonomy, and cultural authority embodied by the tawa’if. In this context, literary strategies of nostalgic preservation and reformist rehabilitation appear less as solutions than as mechanisms that manage and ultimately foreclose her social possibility. The paper argues that by the early 1930s, this process reaches a critical threshold. In Laila Ke Khutut, the language of reform gives way to a sustained mode of exposure in which the tawa’if speaks from a position no longer accommodated within nationalist frameworks. Through its epistolary form, diagnostic method, and rejection of respectable language, the text reveals the limits of inclusion itself. The tawa’if emerges not as a figure to be incorporated, but as one through whom the conditions and exclusions of nationalist modernity become legible.

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References

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Copyright (c) 2026 Anusha Khan (Author)

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